Cesare Cremonini at San Siro: “My songs? I go beyond the limits of the possible”. The concert lineup

Someone wants to be Robin. Actually, many. Certainly the 120 thousand who for months now have been pocketing tickets for the concerts with which Cesare Cremonini returns today and tomorrow to the stands of the “ Meazza ”. A rising tide that has pushed the boy with wings under his feet to book the La Maura racecourse to give himself an encore next summer with a big party scheduled for June 10. Even if the eagerness to return to see him is yet to be verified.
If Irama, Max Pezzali, Geolier, Eros Ramazzotti and, it seems, Tiziano Ferro will focus on the stadium in 2026, Cremonini prefers different spaces such as the Circo Massimo, the “Enzo e Dino Ferrari” racetrack in Imola, the Arena del Visarno in Florence and, indeed, the more capacious Milanese racetrack.
Last Sunday's zero date at the Teghil stadium in Lignano Sabbiadoro catapulted the singer-songwriter from Bologna under the Alaskan skies illuminated by the Northern Lights thanks to an imposing scenography dominated by ten luminous circles under which to travel between past and present with a marathon that from the same "Alaska baby" leads to the grand finale of "50 Special", "Marmellata #25" and "Poetica".
“San Luca” at his debut Cesare interpreted it indicating emptiness and this leaves the door open to the hypothesis, or rather to the hope, that his friend could also be on the stage at San Siro . Just as in one of the two dates Elisa could also be there, who is rehearsing her “Meazza” next Wednesday in Milan. "But the songs are half the work" Cremonini recalls. "You are half the work, the audience arrives, receives the song you bring them and completes it with their life". Everything, trying to push the desire forward each time. "Every song I write, every show I create is a few meters beyond what I thought was the limit of my possible".
Live, of course, the stage impact will support this challenge, for which the man from “A Better Day” turned to the staff of NorthHouse in London, the creative studio that has already worked alongside Coldplay, Beyonce, Bruno Mars, as well as collaborating on events such as the 2015 Super Bowl halftime show, the platinum jubilee of Queen Elizabeth II and the concert for the coronation of King Charles. As in previous tours, the creative direction is by Cesare himself and Claudio Santucci from the Giò Forma studio.
Il Giorno